6/03/2011
Stereotypes of Mental Illness in the Media
These images are contributing to a distorted picture of mental health in the public mind. Almost half of us (49%) have seen people with a mental illness acting violently in films. Similar numbers (44%) believe that people with a mental illness will act violently in real life. Both of these beliefs are, of course, false.
This trend is especially harmful to real men with real mental health problems, because the vast majority of the actors falsely portraying mental illness are men.
The Offenders:
The Dark Knight
The Dark Knight as a low point in depicting mental illness. The violence and humour based is almost entirely on a misunderstanding of schizophrenia, he says. 'Batman describes the Joker as a schizophrenic clown, and when the film's second hero Harvey Dent becomes "Two-Face' and embraces evil, the familiar stereotype of schizophrenia is activated.
One Flew Over the Cuckoo's Nest
But the film best remembered for depicting someone with a mental illness acting strangely or violently remains One Flew Over the Cuckoo's Nest which was released almost 35 years ago - the influence of movie stereotypes on attitudes can last a generation.
Other:
Looney Tunes
Psycho
Dinner With Schmucks
More Realistic Portrayals:
Schizophrenia: Daniel Craig in Some Voices and Russell Crowe in Beautiful Mind
Autism: Dustin Hoffman in Rain Man
Borderline personality disorder: Angelina Jolie in Girl Interrupted
Dissociative identity disorder: Three Faces of Eve
3/01/2011
Denying Sadness
--Les Murray, Killing the Black DogI am convinced that stoicism is never the answer to anything, being nothing more than a cruel, callous encouragement to people to devour each other, a powerful ally of sadists and tyrants keen to get people to endure things which should be firmly refused as unendurable. Courage, indeed!
Through my countless hours of idle contemplation I became aware of one simple fact. We do not talk about sadness. Anyone who talks about it is seen as whiny and unpleasant to be with. We discourage expressions of sadness with nonsense about Getting a Grip on Yourself. “Emo” is used as a derogatory term. Nobody wants to hear about your dead aunt or mother or brother, and you don’t want to bring it up for the fear of burdening your friends. But has this always been the case? Is it our nature to frown upon talking about sadness? Or maybe this is a socially constructed norm that we all just grown accustomed to, like our obsession with individualism? Somewhere in Abraham Lincoln’s biography I read that in his days showing inner angst was the equivalent of getting a six-pack. So what has changed since then that stigmatized sadness?
Depressed and at Cal
1/28/2011
The Stigma Within Us
8/26/2010
Darkness Visible: A Memoir of Madness, by William Styron
[A] fascinating aspect of depression’s pathology . . . This concerns not the familiar threshold of pain but a parallel phenomenon, and that is the probable inability of the psyche to absorb pain beyond predictable limits of time. There is a region in the experience of pain where the certainty of alleviation often permits super human endurance. We learn to live with pain in varying degrees daily, or over longer periods of time, and we are more often than not mercifully free of it. When we endure severe discomfort of a physical nature our conditioning has taught us since childhood to make accommodations to the pain’s demands- to accept it, whether pluckily or whimpering and complaining, according to our personal degree of stoicism, but in any case to accept it. Except in intractable terminal pain, there is almost always some form of relief; we look forward to the alleviation, whether it be through sleep or tylenol or self-hypnosis or a change of posture or, most often, through the body’s capacity for healing itself, and we embrace this eventual respite as the natural reward we receive for having been, temporarily, such good sports and doughty sufferers, such optimistic cheerleaders for life at heart.
In depression this faith in deliverance, in ultimate restoration, is absent. The pain is unrelenting, and what makes the condition intolerable is the foreknowledge that no remedy will come- not in a day, an hour, a month, or a minute. If there is mild relief, one knows that it is only temporary; more pain will follow. It is hopelessness even more than pain that crushes the soul. So the decision-making of daily life involves not, as in normal affairs, shifting from one annoying situation to another less annoying- or from discomfort to relative comfort, or from boredom to activity- but moving from pain to pain. One does not abandon, even briefly, one’s bed of nails, but is attached to it wherever one goes. And this results in a striking experience- one which I have called, borrowing military terminology, the situation of the walking wounded. For in virtually any other serious sickness, a patient who felt similar devastation would by lying flat in bed, possibly sedated and hooked up to the tubes and wires of life-support systems, but at the very least in a posture of repose and in an isolated setting. His invalidism would be necessary, unquestioned and honorably attained. However, the sufferer from depression has no such option and therefore finds himself, like a walking casualty of war, thrust into the most intolerable social and family situations. There he must, despite the anguish devouring his brain, present a face approximating the one that is associated with ordinary events and companionship. He must try to utter small talk, and be responsive to questions, and knowingly nod and frown and, God help him, even smile. But it is a fierce trial attempting to speak a few simple words.
Thank you, Mr. Styron. You saved my life, and you are deeply missed.
